- Robert Barry Francos (Ffanzeen)
- Ashley Griffin (Theatre Online)
"[T]his is a well written play"
- Robert Barry Francos (FFanzeen)
- Judd Hollander (OOBR – V. 13-10)
- Mark Lord (Queens Chronicle)
– Marina Cole (Lyndon Critic)
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"Michael Weems subtly underplays Justin as someone who has become more sophisticated than his family on some levels, but still humbled by his background." - Robert Barry Francos (Ffanzeen) |
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"Mr. Weems's stoicism played into the removed nature of his character." - Ashley Griffin (Theatre Online) |
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"The lynchpin and central foundation of the play is 'Ryan Franklin,' played by the piece's writer, Michael Weems...He is a big teddy bear of a man that one cannot help but like, and while he appears to be like a deer in headlight, actually he is managing not to get hit." "[T]his is a well written play" - Robert Barry Francos (FFanzeen) |
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"Weems is good as the quiet but passionate Jefferson” and “Informative, interesting and, in this era of red and blue states, 1776 is quite the breath of fresh air." - Judd Hollander (OOBR – V. 13-10) |
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"Michael Weems as Bud, her Yale-bound football hero, proves a good listener on stage. Kevin Ryan as Bud’s ambitious but despicable father shares a particularly effective moment with Weems late in the second act that begins tenderly and promptly turns dramatic." - Mark Lord (Queens Chronicle) |
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"Michael Weems was all sex appeal – strutting his stuff through “The Girl Gets Around." – Marina Cole (Lyndon Critic) |
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